She/Her
Throughout my practice, I have worked with photography and film to explore a range of themes and social constructs. My work often adopts a voyeuristic perspective, inviting the viewer to observe intimate or concealed aspects of other people’s lives—moments that are typically hidden from public view and often provoke discomfort. This approach has naturally led me to investigate alternative and unconventional ways of living, particularly those that challenge societal norms or operate on the fringes of mainstream culture.
The Rapture
Cults and religious groups’ practices are the subject of my work, particularly focusing on power dynamics displayed through rituals. This is through the medium of film and photography. This work reveals the thin line between devotion and manipulation. I transform blissful landscapes into a spiritual experience where human vulnerability lies.
A dark, immersive installation combining film, sound, and photography. Ritualistic movement, haunting soundscapes, and surreal colour transform the space into an unsettling spectacle, where viewers become passive participants in a charged and disorienting atmosphere. Synchronised choreography reflects a controlled collective, emphasising ritual as both a form of expression and domination. A vivid red-pink palette distorts the natural landscape, casting a surreal and ominous tone that unsettles familiar associations.
