Image sourced from CHRIS KILLIP. Photographs made in the North East of England from 1975-1986. Black and White film photography. Image transfer onto made concrete tiles.
The Brutal North explores the artist’s hometown of Newcastle and the history behind the industrial areas of the West End, specifically during the 60s and 70s. After the ‘slum’ clearance, concrete tower blocks were erected in place – an attempt by disgraced council leader, T. Dan Smith, at regenerating the area. Unfortunately, through years of corruption and fraud, the majority of the concrete crumbled, leaving the Elswick community dispersed across the city.
Through a series of interviews, archived footage and documentary photography, concrete is utilised to act as the frame for black and white film photography. The artist sheds light on the aftermath of the failed regeneration of Newcastle and the juxtapositions that come with human existence and mass production.
